Champagne and “Lessness” Part 3

artist_tellez.jpg

It seems like my address on the Whitney Biennial is going to come in pieces (and I still haven’t read the Peter Schjeldahl review, so I’m still holding back…).

The most striking piece, or at least the most memorable, is Javier Tellez’s film/video Letter on the Blind for the Use of Those Who See. The film is based on a classic childrens poem, The Six Men of Hindustan:

There were six men of Hindustan,
to learning much inclined,
Who went to see an elephant,
though all of them were blind,
That each by observation
might satisfy his mind.

The first approached the elephant,
and happening to fall
Against his broad and sturdy side,
at once began to bawl,
“This mystery of an elephant
is very like a wall.”

The second, feeling of the tusk,
cried, “Ho, what have we here,
So very round and smooth and sharp?
To me ’tis mighty clear,
This wonder of an elephant
is very like a spear.”

The third approached the elephant,
and happening to take
The squirming trunk within his hands,
thus boldly up and spake,
“I see,” quoth he,
“the elephant is very like a snake.”

The fourth reached out an eager hand,
and felt above the knee,
“What this most wondrous beast
is like is very plain” said he,
“‘Tis clear enough the elephant
is very like a tree.”

The fifth who chanced to touch the ear
said, “E’en the blindest man
Can tell what this resembles most;
deny the fact who can;
This marvel of an elephant
is very like a fan.”

The sixth no sooner had begun
about the beast to grope,
Than seizing on the swinging tail
that fell within his scope;
“I see,” said he, “the elephant
is very like a rope.”

So six blind men of Hindustan
disputed loud and long,
Each in his own opinion
exceeding stiff and strong;
Though each was partly in the right,
they all were in the wrong!

Tellez’s video is visual engaging (shot in black and white film), poetic in all that evokes, and still grounded in this childhood simplicity.

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